“The
flat sound of my wooden clogs on the cobblestones, deep, hollow and powerful,
is the note I seek in my painting.”– Paul Gauguin
I
had two brushes with greatness last week.
The
first arrived in the mail. I was shocked to open a 9x12 envelope and find a
handwritten missive to me from none other than Billy Collins, the poet I
lust after whose use of the English language I greatly admire.
Imagine!
A real honest- to- goodness letter from Billy Collins written on
the front cover of the Dodge Poetry Festival! And I quote:
My dearest Patti, you veritable
single golden sugar cube in my skinny latte, my painted pony walking across
the Atlantic, my bread and
my knife, my crystal goblet and—somehow—my wine… Imagine my surprise, dear
Patti, when I was walking along a tiny path composing a poem about nature in my
tiny noggin—perhaps something about one enormous sky and
about a million empty branches—when all of a
sudden, a man appeared from nowhere, lunging at me and thrusting this Festival
program under my nose, asking for an autograph for some woman named Patti who
adores me. And then it hit me—of course! That Patti! I read 37days every
week; you are my muse, my inspiration, my everything! We really must get
together and read poetry together in the desert, or go on a picnic and avoid
the lightning. With my undying love and gratitude for your mentioning
me incessantly
on 37days, Yours - Billy
Well,
I guess it was actually a Dodge Poetry Festival program with his name scrawled
on the bottom right of the front cover, but I know how to read between the
lines. Well, see for yourself—see? See?
That’s
all to say this: a 37days reader, Steve
Sherlock, when coming face to face with Billy Collins on a
dirt path at the Dodge Poetry Festival, had the presence of mind to ask Mr Collins
for an autograph so he could send it to me! What a wonderful gift! It is
sitting prettily in my office beside the autographed photo of, well, someone
else. My thanks to Steve. What a wonderful, thoughtful gift from someone
I’ve never met!
The second brush with greatness came last Thursday
when I had lunch with one of my great artistic heroes, multi-media artist and musician,
the brilliant Laurie
Anderson. Imagine!
That’s
to say that I spent my lunch hour in an audience listening to her speak. But
there were only fifty of us there, so I was in great proximity and I did get
close enough to her afterwards to hand her my card with a tiny note on the back
explaining her impact both on me, and now, on Emma. I’m sure she’ll be in touch
soon. Having been that close, I feel completely justified to pepper my
conversation with phrases such as this: “What a coincidence! Laurie Anderson
said that to me just the other day!”
With dimples to dive into, Laurie Anderson
has long influenced the music world, and the world of multimedia performance.
It started for me in 1980 with “O Superman,” from her album “Big Science,” then
“Mister Heartbreak,” then her work with the über-brilliant Philip Glass, and who could forget her “Songs and Stories
from Moby Dick”? Certainly not this American Literature major.
There
are only a handful of musicians I would pay to see in concert. Okay, there are
exactly 10: Philip Glass, Tracy Chapman, Joan Armatrading, Johnny Cash (before, well, you know),
Doc Watson, k.d. lang, Lyle Lovett, Tom Waits, the Kronos Quartet, and Laurie
Anderson. Okay, 11 including Bonnie Raitt. Am I missing anyone? Okay, the
Jethro Tull gang back in the day, along with the Talking Heads. I’d put Laurie
Anderson at the very top of that list. I first saw her perform live in an
intimate little theater in Washington, DC, in 2002.
Yet
when The Laurie Anderson came to my little tiny burg recently, I was not here.
I was on a plane flying home from Somewhere Not Here. Sob. Sob more. Rant.
Rave. Lament loudly. Whine even. There was nothing to do but send the fabulous Emma
in my place.
I
think it might have changed her life. I was meant to miss that show so she
could go.
Laurie was playing “The End of the Moon,” a
piece that emerged from her year as an artist
in residence at the National
Aeronautics and Space Administration (NASA). “How was it?” I asked
breathlessly from the airport, cursing my fate at awaiting a delayed Delta
flight while Emma basked in the glory that is Laurie Anderson without me.
“Awesome.
It was just awesome.” Not one for hyperbole, or bole of any kind for that
matter, I was struck by the enormity of Emma’s response. “The first notes she
played on her electric violin made my seat shake and went into my bones,” she
continued excitedly. “It was just awesome!” she fairly well shrieked.
She seemed transformed by the experience, by her
proximity to Art, her experience of what one reviewer called Anderson’s NASA-fueled vision of inner and outer space.
The
focus of the night’s performance — space — was especially wonderful for this
teenager who has long
dreamed of being an astronomer, who has watched the PBS series, “The
Astronomers,” no less than 100 times, its boxed set worn from the constant
use.
I
needed more details . “I don’t really know how to describe it,” she said when I
pressed for more information. “It made
me think more about what could be turned into song, a poem, a piece of
literature.”
Like opening the whole
world to art.
As
Rolling Stone wrote, "Laurie
Anderson is a singer-songwriter of crushing poignancy—a minimalist painter of
melancholy moods who addresses universal themes in the vernacular of the
commonplace." I think that is exactly what Emma was saying, in fewer
words. Our whole lives are art, Emma realized, and ours—not just poets and
musicians Up There On Stage—but every wee human, even us. Even a fourteen year
old like her.
Shortly
after having lunch with my new pal Laurie, a friend told me—apropos of nothing,
it seemed at the time—that the best peaches aren’t found in Georgia. They’re grown there, but
the best ones are exported to markets outside Georgia. A colleague from Florida confirmed the same thing
about selected Florida produce. The best beer
isn’t found where it is brewed; nor is the best caviar enjoyed at its place of
origin. I found that fascinating. Isn’t that what we do when we act better for company than for our own families, when
we spend more time pleasing strangers than pleasing ourselves, when we adore
celebrities and not our own Selves?
In a recent training session we did together in L.A., David relayed to the audience
a short experience he had on a cruise
to Alaska on a steamship with his partner, Lora. As all the passengers
watched in absolute silence and awe, a pod of whales gathered around their
ship. Quiet, in that moment of encompassing respect, he wondered a big
question: why do we reserve such reverence for whales? Why don’t we offer the
same silent awe to our fellow human beings, each of whom (not just the Big
Whales) is as fantastical and beautiful and wonder-full as these creatures?
I started by saying that I had two brushes with
greatness this week, but that’s not true—it was far more than that. It included
all those people I met in Iowa this week, and the man named Dennis on the plane
from Des Moines to Atlanta who accounts for one of the Absolute Best
Conversations I’ve Ever Had, and the kids at tonight’s Halloween party at the
local recreation center (Tess won the best costume award!) and my family, and
all of you. All those wooden clogs on all those cobblestones. The deep,
hollow, powerful sounds of everyday life becoming art.
~*~ 37 Days:
Do it Now Challenge ~*~
My recent encounters with Billy and Laurie
remind me of the time I had dinner with Garrison Keillor in Minneapolis. And not just in the same
country, state, county, and town, but in the very same restaurant and in very
nearly the same room.
Yet as much as I revere Billy Collins and Laurie
Anderson and as much as I turn to look when Garrison Keillor walks in the room,
perhaps it is the sound of my own clogs
on the cobblestones that is my one true art. I shouldn’t abdicate that art
to Artists; it is my own.
See the
whales around you. That’s
not to say we can’t dream of having a lightning picnic with Billy Collins, a
pirate romp with Johnny Depp, or an electric duet with Laurie Anderson, but
there are also humans all around us who deserve our awe, our silent and full and
best reverence.
And don’t
export your best peaches. Keep them for those close to home.
Technorati Tags:
Billy Collins, Laurie Anderson, 37 days, Philip Glass, Steve Sherlock, NASA, whale watching
Patti, you really had me wondering if the six degress of separation amongst your readers had actually done me one better and that Billy was indeed amongst your readership! That is the best thank you I could ever hope for in return for obtaining a Billy Collins autograph.
Posted by: Steve Sherlock | 29 October 2006 at 21:12
Wow--what a wonderful gift. What a great letter. You must be gowing. I was glowing, reading it. I love when worlds collide, just-so! And yet you're right--it is the sound of your shoes on the street...the little things... that matter most. Greatness is wonderful, but being a good purson, truly, is everything.
Posted by: christina | 29 October 2006 at 22:33
lovely and awwwwww. so damned gorgeous and so important and necessary to read right at this moment. thank you. you are my favorite writer, and i am a book wielding egghead nerd with an astounding appetite for books. thank you.
Posted by: christine | 29 October 2006 at 22:43
how about export Free Hug :-) ??
http://www.shanghaiist.com/archives/2006/10/30/will_the_free_h.php
Posted by: Cindy | 30 October 2006 at 06:23
What a wonderful gift for Emma! And for you - - to watch that door to art swing wide open! Great post! Thanks for reminding me of the taste of the absolutely most perfect and juicy, the most delicious Georgia Peach I ever ate - after I bought it in a grocery store on Cape Cod!
Posted by: Ellouise Schoettler | 30 October 2006 at 08:12
Thank you. What I love about reading your posts is how you remind me to look inward at my life, to hold it like the finest pearl in my hand, to examine the rainbow of colors in what many would call a plain, off-white sphere.
And this post recalls a wonderful evening when I was in the same room with Billy Collins and Garrison Keillor -- of course, they were on stage and I was in a tiny seat, squished between my sister and my husband, but we were all breathing the same air, gladly.
Posted by: Sally | 30 October 2006 at 13:07
Oh Patti - this morning I thought my heart would break with joy over the sheer, and terrible beauty of the English language - so tenderly handled by a master. I was also momentarily blinded with envy - that these words should be addressed to you and not me. On closer inspection, I realized your play, and adore you more because of it - that you could craft such loveliness! Applause! Kisses and bouquets of honeysuckle. You are a beguiling genius!
Posted by: Liesl | 30 October 2006 at 15:43
I think Billy Collins knew deep down when he signed the autograph that it was for you :-)
Posted by: J. Rondon | 31 October 2006 at 09:34
Patti, thanks for reminding us that miracles are all around us; we just have to be open to them. Congratulations on getting Billy Collins' autograph! Who knows where it might lead?!
Posted by: Joy | 01 November 2006 at 01:56
The journey you take readers on in your essays is exquisite. Just when I'm thinking, "where is this going?", I turn another corner and come up breathless. Thanks you for this piece, this challenge and this reminder that we are all exquisite treasures to be valued and not exported. Much peace and love, Deborah
Posted by: Deborah | 01 November 2006 at 12:17
Maybe he'll google his name and find this!
I love the way you tied it all up and I find myself looking out my window to see if I can spot a whale or two!
Posted by: colleen | 02 November 2006 at 09:46
The letter from "Billy" was exquisite for sure. You wield your craft with deftness and grace.
Growing up in Alaska, I remember the pods of dolphins that would gather around our boat everytime we were in the Prince Williams sound. It's breathtaking.
Every human being I encounter today will be gone from this earth by the next century...every life, every moment truly is fragile and precious.
Living in awe of it all is magic.
Posted by: Ren | 06 November 2006 at 21:12
Dear Ms. Digh:
You'd be interested that Amazon.com (with its infernal way of recommending items based on what one has purchased) recommended the poems of Billy Collins to me because I reviewed "A Wild Perfection: The Letters of James Wright" online. It all made me think of you and Mr. Collins. At any rate, thought you would like to know :-)
Posted by: J. Rondon | 07 November 2006 at 13:16
Thank you for this beautiful, wise piece of writing. I don't think Billy could have said it better.
Posted by: patry | 11 November 2006 at 23:22
Patti, you made my day. I could read you forever!
Posted by: Carla | 12 November 2006 at 17:05